Apollo 16mm HDTV Transfers

Video courtesy NASA/courtesy of nasaimages.org This program contains selected views taken from the Apollo 16mm onboards edited together and set to inspirational music. Footage from all Apollo missions, Apollo-Saturn 202 through Apollo 17, is used. Includes: stage separation; spacecraft rendezvous; various in-cabin crew scenes from spacecraft operations to leisure activities; Extravehicular Activity (EVA) views; transposition views; Earth rise over Moon horizon; lunar landscape; Lunar Module (LM) descent; scenes from various EVAs on the Lunar surface including planting the American flag; views of the Lunar Roving Vehicle (LRV); and scenes taken during Command Module (CM) reentry including views of the main parachutes as CM makes final descent.
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Tokina 11-16mm Review

www.learningdslrvideo.com I am reviewing the Tokina 11-16mmF/2.8 Pro AT-X116DX f/Canon version lens. I am going to discuss: 1. Price, 2. Show lots of b-roll I have shot, what this lens is good for, 3. Sharpness test, 4. Speed of focus, 5. Build quality, 6. Which cameras this works well for. Price tokina-11-16I would say like to say I am not Scott Bourne, if you don't know who he is you should start listening to his podcast 'photofocus'. I don't own as many lenses as Scott does, so this review will be geared towards amateurs like myself that are on a budget. First off, wow look at all these reviews of this lens on B&H, which is a ton for a 3rd party lens! I have high expectations. Better be good at $600 which is only $75 cheaper than the price of my camera. They say you should invest in your glass and not the camera body, I hope they are right! But you really need to put this in perspective because if you wanted to buy something similar like the Canon Super Wide Angle EF 14mm f/2.8L II USM it goes for $2220! Isn't pretty much all of Tokina and some of Canon's glass all come from Hoya anyway? I know a ton of people are searching for the Tokina 11-16mm on Craigslist to find an even cheaper price. I looked in my area but no one was selling this lens, they must like it too much to give it up. Examples of What do you use it for? Check out this shoot I got on the ski slopes, before I got kicked off, I love how dramatic the distortion of a wide angle gives you. A wide angle lens <b>...</b>
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Arriflex SR3 (Super 16mm)

Not sure who filmed this, I'd really love to know. I added the music. Lots of slow motion shots here.
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Gentle Giant - Funny Ways - 16mm Film - 1974

"Funny Ways" from a 16mm Film directed by Christopher Nupen, a classical music film director who invited the band to record this concert in a film studio in Brussels for the German television station ZDF. **edit/ - I wish I could forward each one of your generous comments to "The Giants" themselves.. here´s the link to the official Gentle Giant Home Page - www.blazemonger.com all the best! pecovgfx ...
Gentle Giant Funny Ways 1974 1975 prog rock Christopher Nupen
Tokina 11-16mm f/2.8 lens review and video test on canon 7d. - DSLR Film NOOB

The Tokina 11-16mm f/2.8 lens if often recommended for crop sensor cameras. But I've had a hard time finding video footage of the lens in use. So Along with a short review I've taken the time to demonstrate the Tokina 11-16 in video mode on my canon 7d. Equipment used: Canon 7d, Sigma 24 1.8, tokina 11-16, and zoom h4n
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16mm Experiment

Emma and I had ideas planned for using real motion picture film for the first time, but these plans fell through [Automan, for instance]. We decided to go ahead and do what we initially wanted; to just film and get a feeling for what 16mm can do. Different frame rates, stop motion, ideas, etc...This is just a simplistic compilation of the silent footage. Participants of help, technical, and acting; Emma, Joe, Charlotte, Kyle, Kaija, Lucas, Abby, and Twitch. circa 12th grade special thanks to the IFP-North
16mm snow swinging climbing gravity stop-motion shutter speed slow motion
Tokina 11-16mm Flycam Nano Test

follow me on twitter: @steezdiaz Love this lens! Location is my hometown of Chico, CA. Canon 60D. Tokina 11-16mm 2.8. Flycam Nano (1st Gen) Song is Still by Volcano Choir
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ORPHEUS (2011) - Award-Winning Experimental 16mm Short Film

ORPHEUS...A dark experimental take on the 5 stages of grief. Won "Best Production Design" at Screentest: the National Student Film Festival and was also nominated for Best Thriller and Best Cinematography: www.screentestfest.org.uk A film created for a second year University project with a brief to create an experimental film inspired by a poem or piece of art. Inspired by Gute Nacht. Orpheus |ˈôrfēəs|Greek Mythology a poet who went to the underworld after the death of his wife and secured her release from the dead, but lost her because he failed to obey the condition that he must not look back at her until they had reached the world of the living. Shot on 16mm film on a budget of £300. Starring JASON GODDARD. Created by JAMES BUTTON - KRISTAPS KAZAKS - PETER WOLFE - GABRIELLA LEWIS - JO HAZELL - GARETH JONES Special thanks to KRISTIAN DOMINGO - TOM GREGORY - ANDREA ESCUDER - RHYDIAN JAMES-YEOMAN
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Apollo 11 First Steps, High Quality 16mm DAC

Neil Armstrong's first steps on the moon during the Apollo-11 mission are often shown as seen by the Apollo Lunar Television Camera - a black and white slow-scan TV camera, but there was another camera on the mission which captured the first steps on the moon and other portions of the mission. The Maurer 16mm Data Acquisition Camera was a 16mm movie camera that NASA loaded with the highest quality, finest grained, film stock of its day. The camera was capable of running at 24 fps for full motion recording, 12 fps for near full motion recording as well as 6 and 1 fps for time laps recording. (The slowed recording speeds used to conserve film). On Apollo-11 the DAC was mounted near the window of the lunar module and was initially operated at full speed to record the historic first portion of the EVA by Neil Armstrong. Buzz Aldrin remained in the lunar module to record the EVA and to operate other instruments such as the TV downlink before joining Armstrong on the lunar surface. If you look carefully you can see Buzz Aldrin's reflection on the window as he works in the lunar module. After this sequence, the camera was adjusted and slowed down to the 1FPS time laps/stop motion setting which was used to record the entirety of the mission EVA by the two astronauts. Such speed was required to keep the film from running out during the EVA. The camera did not record sound, but the corresponding sound from the radio downlink has been added and synchronized. This could be considered <b>...</b>
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Dante's Inferno (Clay Animation, 16mm)

www.alexiswallerimages.com A VERY abridged (and unfinished) movie of Dante's Inferno, depicting the pilgrim's journey from the dark wood to the Giants in Canto XXXI, just before their descent in to Cocytus. I've sculpted the devil (he's stored in a shoebox in my closet) but haven't filmed that part yet. Theoretically, Purgatorio and Paradiso will follow. This is what happens when you graduated with a major in Italian lit in today's world. Unemployment ensues, followed by acquisitions of 16mm cameras and months spent bringing exiled 13th century Florentine statesmen to life in plasticine. Enjoy the fruits of last year's joblessness. - Alexis Waller Music by Dhol Drum Foundation.
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THE END | HD Post Apocalyptic 16mm Short Film (Kodak 50D and 500T) | 2011

At the end of the world the last man left alive struggles to find redemption for the part he played brining the world to an end. Directed By ROWAN STRANG Cinematography by NICK JACKSON Produced by ROWAN STRANG, NICK JACKSON and VICTORIA EASTON Edited and Mixed by BRETT SWEDEN Original Music by GUY HOBSON Executive Producer | Richard Bell Key Grip | ANDY DEAN Field Sound | TAVIS HUGHES 1st AC | LISA CUSHING Colorist | JON NEWELL Clapper/Stuntman | KARL STANLEY Staring MICHAEL ELSWORTH with JOHN ASHTON, NATHAN MUNN, BRIAN SULLIVAN, DON DONNER, RICHARD DERAINE and WILLIAM ROSS Special Thanks to Richard Bell from Shurken for the use of his s16 Aaton Camera/lens'/Equipment www.shuriken.co.nz Special Thanks to Andy Dean from Lakefly Productions for this use of his time as a Grip and Gaffer as well as the use of his Grip Equipment and Lights www.lakeflyproductions.com Shot on on Location at Zealandia Greenhouses in Christchurch. Special thanks to Zealandia www.zealandia.co.nz Also shot at the offices of Mortlock McCormack Law. Special Thanks to the partners at Mortlock McCormack Law for allowing us to film in their boardroom www.mortlock-mccormack.co.nz A STRANG ENTERTAINMENT/NEW ZEALAND BROADCASTING SCHOOL PRODUCTION
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making a hand drawn animated 16mm film.mov

This shows the use of a professional light box in classic cel animation. Thanks to popular demand I have uploaded a sequel to this "Make an Animation Light Box" which works just as well but is a LOT cheaper! www.youtube.com I have now added a demo on Animating a Basic Walk Cycle www.youtube.com All 3 link to my Book/DVD "Animation a Handy Guide" For the UK go to www.amazon.co.uk For USA go to www.amazon.com For our free animation software go to www.graber-miller.com
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TransWorld SKATEboarding - Free Your Mind - 16mm Montage

16mm montage from TransWorld SKATEboarding's DVD, Free Your Mind. DVD features Darrell Stanton, Rob Welsh, Dan Drehobl and more...
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Kramme & Zeuthen 16mm film projector in action!

A danish "Kramme & Zeuthen" projector in action. The projector is designed to work at both AC and DC, with voltages ranges from 110V to 220V Even though: The Power Supply is very simple: 115V/500W light bulb and a huge air-cooled drop-down resistor! We are using 230V AC here in Denmark, so the way of halfing the voltage", doesn't make much sence today With my new/modern 230V halogen bulb and homemade rebuild of the optical sound. The projector came alive again!
The Beatles Live in America: 16mm Color Live Concert Footage (1964)

1964 www.amazon.com Watch more: lifeofthebeatles.blogspot.com The Beatles toured internationally in June. Staging thirty-two concerts over nineteen days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand, they were ardently received at every venue. Starr was in hospital after a tonsillectomy for the first half of the tour, and Jimmie Nicol sat in on drums. In August they returned to the US, with a thirty-concert tour of twenty-three cities. Generating intense interest once again, the month-long tour attracted between ten and twenty thousand fans to each thirty-minute performance in cities from San Francisco to New York. However, their music could hardly be heard. On-stage amplification at the time was modest compared to modern-day equipment, and the band's small Vox amplifiers struggled to compete with the volume of sound generated by screaming fans. Forced to accept that neither they nor their audiences could hear the details of their performance, the band grew increasingly bored with the routine of concert touring. At the end of the August tour they were introduced to Bob Dylan in New York at the instigation of journalist Al Aronowitz. Visiting the band in their hotel suite, Dylan introduced them to cannabis. Music historian Jonathan Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's core audience of "college kids <b>...</b>
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A Summer in Super 16mm - Bolex

A montage of Super 16mm footage I shot this past summer in Michigan on my Bolex EBM. Shot on Kodak film stocks 7201 and grainier scenes shot on expired 7246. Transferred at 2k resolution via Arriscan @ Nolo Digital Film in Chicago. Lenses used: Switar 10mm Preset, Canon FD 24mm F2.8, Canon FD 50mm F1.4. Music: "Cherry Chapstick" by Yo La Tengo
Bolex Super 16mm 16mm kodak beach summer volleyball Michigan
In George's Cave -- Bolex 16mm short film

"In George's Höhle" (In George's Cave) is a story about fleeting memory and what we do in order to keep our memories alive once they have escaped. The story was inspired by Susan Sontag and her writings, "On Photography." Specs: Bolex H16 16mm Film Camera, Kodak Double-X Negative 100ft & Kodak Vision 3 500T 100ft film stock. Cinema Lab for black & white and color processing. Crosspointe used for telecine and digital transfer to miniDV tape. Programs used: Final Cut Pro, Avid Media Composer 3, After Effects, Photoshop, Sony Vegas. Credits: Written and Directed by Robert Kohler Produced by Scott and Katy Kohler George Feign -- Max Ryan Mary Feign -- Ashley Strong Georgia -- Kelsea Bednarz Sue -- Sarah Robinson Set Production Assistant -- Jason Eiler Production Assistant -- Greg Groves Production Assistant -- Linh Tran Slate Loader -- Jason Eiler Editor & Visual Effects -- Robert Kohler Music: "Himininn Er Ao Hymja, En Stjomu" -- Olafur Arnalds Copyright Erased Tapes (approved for use) "Allt varo hljott" -- Olafur Arnalds Copyright Erased Tapes (approved for use) "..Og lengra" -- Olafur Arnalds Copyright Erased Tapes (approved for use) Additional Scores -- Performed by Robert Kohler
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Film 101: - Tokina 11-16mm f/2.8 + Flycam Nano Test

Thanks for watching the video guys. I appreciate you checking it out. If you like it please go give it a thumbs up, and subscribe if you're not already. Feel free to Spread this video around, for anyone who may be interested! Shot with Canon T3i/600D Follow me on Twitter www.Twitter.com @ThatTechShow Like me on Facebook www.Facebook.com +1 me on Google+ www.Gplus.to
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16mm test reel

This is just a test reel for my first on-hand experience with a 16mm film camera. I rented the dust-gathering Eclair NPR camera from Baylor when I was a student there. Unfortunately it has been my only experience with 16mm thus far but I considered the opportunity invaluable as it is rather expensive to shoot 16mm without free rentals from school. The music is a track from a Ghosts and Vodka album.
BOUND 2010 A Kodak 16mm Black and White/Color Film

Bound is a story of a painter who is slowly going mad. Enter his subconscious as he tries to remember his past love during the last seconds of his life before a lethal injection runs through his body. BOUND is a Jarrett Robertson 2010 Kodak 16mm Black and White/Color Film Starring Wendy Varela and Mark Ezovski.
Bound 16mm Kodak short film painter psychosis New York Jarrett Robertson Rhythm and Bleu
Arriflex SR3 (Super 16mm)

Performed by Colin Rich. The track is Called "Mountain Top". This music video was filmed with Kodak Vision 2. 500T, 200T, 100T and 50D.
Arri Carl Zeiss Arriflex BL SR3 SR2 416 plus model advanced HD Cam Sony F900 Canon Nikon 5D 7D D700 D3X Kodak Vision quality 2k 4k resolution scanner scan motion picture film stock raw format digital intermediate process telecine Colin Rich Mountain Top Rock Hit 80's new age pop music tune super 16 16mm 35mm 8mm
Film 101: - Tokina 11-16mm F/2.8 - Ultra Wide Angle Lens

Thanks for watching my unboxing and first look of the Tokina 11-16mm Lens. I'll be sure to upload some more test shots in the near future! www.Twitter.com FOLLOW ME ON TWITTER! www.Facebook.com Like my Facebook!
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Review: Bells Of Hythe 12 shot 16mm lead mould

A slingshot without ammo is useless. The right weight and size of the ammo is critical, and the 16mm lead balls that you can cast at home with this new, great product are just about perfect. The Slingshot Channel shows the entire procedure, including the required gear and some tipps where to find cheap or free lead. The product passed the tests with glorious results! 100 lead balls, made in about 30 minutes. And it is fun, too! www.bellsofhythe.com
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Canon 7D - Tokina 11-16mm 2.8

Testing the Tokina 11-16mm 2.8 on my brother outside. The lens looks really good. Sharp and durable. I highly recommend this lens and might be doing a review on it soon.
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JBLenoir in Chicago - 1964 - original 16mm color

From the original 16mm footage with the original optical soundtrack shot in Chicago by Steve and Ronnog Seaberg and Peter Amft. One of the earliest films of a Chicago blues musician, especially in color, showing what J,B, looked like when he appeared on stahe and in clubs in either his gold, charteuse, black or zebra striped tuxes or tailcoats, his gold colored electric guiter, harmonica and mic holder and a long cord so that he could move around the club floor. All of this as opposed to the image promoters wanted him to have with an acoustic guitar and unasuminf clothes as seen in other film and video clips from this time. The idea was that he should appear as an unsophistacated folk-musican rather than the professional artist that he really was Some of this footage made by the Seabergs appears in Wim Wenders' film, The Soul of a Man, along with an interbiew with the Seabergs describing the bkues scene in Chicago at that time and their friendship with and admiration for JB Other clips on YouTube made from the Seabergs' original film and taken from The Soul of a Man have had a new soundtrack added by Wenders which include drums and vocal by Willie Dixon from another recording of the same songs and which were not present at the original filming.
Garden railway live steam Roundhouse Millie 16mm SM32 G scale 45mm

Live steam Roundhouse Millie on an English garden railway.
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16mm Sound Cine Transfer - Earth Movers JCB Part 1 of 2

16mm Transfer. This conversion is an example of the high quality cine transfers we perform here at ES Photographics. YOU TUBE users, please check your settings to ensure you are able to view this clip in High Definition. Visit www.esphotographics.com for full details of our transfer services.
JCB Railway Diesel Engine Arthur Mullard Cine Transfer to DVD
Garden Railway: O gauge, 16mm scale

16mm trains running through the backyard in New York City
Ford Granada Mk 1 - 16mm film.

Filmed in the spring of 2003 using an Arriflex 16BL camera. This footage of JMK 646P was one of several filming sessions. This footage was going to be intercut with some other scenes filmed in Colet Gardens, Hammersmith, so that's why it appears rather drawn out.
16mm Film Production Class

David Meckel describes the Carmen M. Christensen Production Stage and its uses; Alfonso Alverez, working with his class in the Production Stage, provides a description of his 16mm Film Production course.
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Krasnogorsk 16mm film hand processed developed test.

Expired Kodak 7245 film, Krasnogorsk K3 and hand developed film. Colours have shifted on this 15 year old stock, but the sharpness is there. Im starting to like the cold look! The K3 is a great camera, I use mostly Russian kit now as its great quality. I will post some Kinor shot tests soon. I can Hand develop your film if you want, let me know. Also if anyone has expired or unknown quality film they don,t want-please let me know.
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16mm SM32 Narrow Gauge Live Steam Tram

July 2011 and my first experiment with the easy to use Cisco Flip video camera. This meths fired steam tram was built around 30 years ago and still runs well on its original cylinders. It will trundle around on minimal pressure. This is filmed at the Andover &District Model Engineering Society site ADMES
16mm SM32 Garden Railway live steam Tram oscillating ADMES Mamod scratchbuilt















